12 Facts To Know About The Parasite Homes
Director Bong Joon-Ho and Production Designer Lee Ha Jun’s meticulous storytelling breathes life into two homes of opposite character
The 92nd Academy Awards marked an unprecedented series of wins for the South Korean film, Parasite, by director Bong Joon-Ho. It swept the Best Picture, Best Director, Best Foreign Language Film, best Original Screenplay, Best Production Design and Best Film Editing categories. It is the first non-English film and the first South Korean film to win an Academy Award.
In this comedy-thriller, Director Bong Joon-Ho tells the story of a staggering class divide, discrimination and greed that destroys two families that reside in polar opposite ends of the economic spectrum. In order to tell the story, the homes these families inhabit were crafted with precision and thoughtful care. Here are twelve interesting things to know about the Parasite homes:
1. The Park home, in which about 60% of the movie takes place, is a set that was built from scratch.
2. Namgoong Hyeonja is the fictional architect who “designed” the home. The reality is that the home was designed by the Parasite production designer, Lee Ha Jun.
3. The lighting of the spaces reflects the class divide that is represented in the film. The poorer characters have less access to sunlight than the well-to-do Park family.
4. All sets were built on outdoor lots, allowing the cinematographer and director to use natural light in most scenes that take place in the half-submerged basement where the Kim family lives.
5. The director of photography, Hong Kyung Po, had specific requirements for lighting. Hence, the sun’s direction was very a detail the team took into consideration when searching for outdoor lots to host the production’s building of the sets.
6. The movie was lighted using indirect natural light and tungsten sources.
7. The climactic scene where the Park father walks out of the house was shot in 100% natural light.
8. In the fictional architect’s mind, he built the first floor living room for the purpose of viewing the garden. Hence, the characters do not enjoy the pleasure of viewing from a television set in the living room. For this purpose, the window wall was built to follow the anamorphic format with a 2:35:1 aspect ratio, so that the view of the garden feels like a photograph on screen.
9. The contrast of the interiors with the exteriors was heightened by the choice of interior materials. It is purposely outfitted in neutrals: grays and browns to heighten the view of the garden. Yellow lights bathe the interiors for a warm atmosphere.
10. In order to create the Kim’s half-submerged family home, the production design team used silicon molds of actual bricks from places that were being redeveloped.
11. The art work that populate the walls of the Park Home are legit. Some works by wire mesh sculptor Seung-mo Park populate the home’s walls.
12. In conceiving of the Kim family’s surroundings, director Bong actually spun back stories of their fictional neighbors, and designed the environment based on those characters.
Below is a gallery of both Parasite homes.
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The Kitchen At the Park Home
The Kitchen at the Park Home
Axonometric of the Park Home and Garden
The Son's Bedroom at the Park Home
The Foyer at the Park Home
The Living Room at the Park Home
Model Showing Plan View of the Park Home
The Lawn and Garden of the Park Home
The Entry and Foyer of the Park Home
The Kitchen of the Park Home
China and Stemware Collection of the Park Home
The Kim Home
Windows of the Kim Home