For The First Time, The Philippine National Pavilion Wins At The Venice Biennale
Honoring the principles of Bayanihan, this achievement marks the first for any Southeast Asian country
The Philippines received its first-ever award from the prestigious global platform Venice Biennale for the exhibition Structures of Mutual Support curated by Framework Collaborative (GK Enchanted Farm community and Architects Sudarshan V. Khadka Jr. and Alexander Eriksson Furunes). This is the first time a National Pavilion from Southeast Asia has gained an award in the Venice Architecture Biennale.
The country’s national participation at the Venice Biennale is a collaborative undertaking of the National Commission for Culture and the Arts (NCCA), the Department of Foreign Affairs (DFA), and the Office of Deputy Speaker and Congresswoman Loren Legarda.
Step inside the exhibit through this gallery:

Inside The Winning Philippine Pavilion At The Venice Biennale 2021
Inside The Winning Philippine Pavilion At The Venice Biennale 2021
By Metro.StyleNovember 29 2023, 12:36 AM
Exterior of the Philippine Pavilion at the Venice Biennale 2021
The library is installed in the middle of the Philippine Pavilion surrounded by four walls showing the concept, process, framework, and theory of the project. There are also three videos playing showing video documentation about the concept and process as well as videos from other collaborative projects the curators have worked on. Around the exterior, people can sit and watch the videos. A set of stairs and a ramp lead people inside the library where there is an exhibition of stories of mutual support.
Photo Credit: Courtesy of Philippine Arts in Venice Biennale
Interior of the Philippine Pavilion at the Venice Biennale 2021
The interior of the library shows the shelves designed by the community as well as an exhibition about stories of mutual support. Displayed are the popsicle stick scale models the community made to deliberate on the final structural configuration. Within the operable shelves are some artifacts from the process of creating the library.
Photo Credit: Courtesy of Philippine Arts in Venice Biennale
Details of the Philippine Pavilion at the Venice Biennale 2021
The details of the project were designed and built with the community. The door hinges and steel plate inserts were cut and welded in a shop nearby. The patterns of the doors and windows were prototyped in a workshop process to capture the concept of maaliwalas.
Photo Credit: Courtesy of Philippine Arts in Venice Biennale
Exhibit Text and Walls of the Philippine Pavilion at the Venice Biennale 2021
The four walls representing the concept, process, framework, and theory are distillations of the four folders of the exhibition catalog. They give insight into the making of the library and the context of mutual support.
Photo Credit: Courtesy of Philippine Arts in Venice Biennale
Out of 60 National Participations, the Philippines was given the Special Mention as National Participation at the 17th International Architecture Exhibition conferred by La Biennale di Venezia for its “exemplary community project that creates a rich archive and experience of collaborative construction practices.”
Only two countries were honored with this important award, aside from the Philippines. The Russian Pavilion curated by Ippolito Pestellini Laparelli with the exhibition Open! received the Special Mention. The Golden Lion was awarded to the United Arab Emirates (UAE) Pavilion.

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The international jury was chaired by Kazuyo Sejima and composed of Sandra Barclay (Peru), Lamia Joreige (Lebanon), Lesley Lokko (Ghana-Scotland), and Luca Molinari (Italy).
During the Awards Ceremony held at the Ca’ Giustinian, the headquarters of La Biennale di Venezia on August 30, 2021, curator Furunes thanked the organization for “recognizing that bayanihan and dugnad can be real alternatives to how we can live together. The way we build is really the way we live. So this is really important to us.”
While Khadka said, “We accept this award also on behalf of our collaborators, the GK Enchanted Farm community in Bulacan. We would like to thank our commissioner, the NCCA, DFA and Congresswoman Legarda as well as the PAVB for supporting and trusting the vision for an alternative way we can live together. Mula sa puso, para sa bayan. Salamat.”
The main proponent of the Philippine participation Congresswoman Loren Legarda said, “It is with utmost pride that we received the news, given the circumstance of the pandemic and the many hurdles we had to overcome.”
“What is important is that we can tell the world that existing practices of our nation, such as bayanihan and our strong sense of community, can be solutions to the world’s most pressing issues. It is with anticipation we wait for the exhibition to return to the Philippines, back to the GK Enchanted Farm community, where it will no longer be a piece for the exhibition but a built object, if not an evolving organism, its value to be defined by community and enjoyed by its members,” she concluded.

Historic Recognition
This is the first time since the country was recognized ever since it participated in 1964 at the Venice Art Biennale. After more than a 50-year hiatus, the country joined in 2015 at the Venice Art Biennale and the following year at the Venice Architecture Biennale. Through the NCCA, and its partner agencies, the country has continuously organized the Philippines’ National Participation at the Arsenale.
“The Philippines has only been participating at the Venice Architecture Biennale since 2016 . This was only our third official participation as National Pavilion in Architecture. To receive this award is humbling and encouraging that we must continue sending our talents to the Venice Biennale so they can represent our realities as a nation and contribute to meaningful changes to the world,” stated Arsenio “Nick” Lizaso, the Philippine Pavilion Commissioner and Chairman of the NCCA.

Coming Back Home
The exhibition Structures of Mutual Support explores how the principles of mutual support would shape architecture by involving people directly in determining values embedded in it. Through a series of workshops based on bayanihan, the Filipino tradition of mutual support, the community and architects planned, designed and built a community library and conflict-resolution space. Much like bayanihan was used traditionally to move a house from one village to the other, the building traveled to Venice for the duration of the exhibition before returning to the village. The exhibition will run until November 21, 2021, and the library, which was shipped to Venice before the lockdowns last year, will revert to the GK Enchanted Farm community in Angat, Bulacan where it will be built and used by the community permanently
Tags:
- #MetroLiving
- Philippine Pavilion
- Venice Biennale 2021
- Philippine Pavilion First Win
- Structures of Mutual Support
- Architects Sudarshan V. Khadka Jr.
- Alexander Eriksson Furunes
- GK Enchanted Farm
- National Commission for Culture and the Arts NCCA
- Department of Foreign Affairs DFA
- Loren Legarda
- La Biennale di Venezia
- Kazuyo Sejima
- Sandra Barclay
- Lamia Joreige
- Lesley Lokko
- Luca Molinari
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